Kanye West's Second SoFi Show Was Better Than the First — Here Is the Full Setlist and North's Performance

Kanye West's second SoFi Stadium show on April 3 learned from the first night's drama. Here is the full setlist, North's second performance, and what the two-night run revealed about Ye's comeback.

Kanye West's second SoFi Stadium performance on April 3, 2026 — the night after the lighting drama that produced the globally circulated 'Stop it, stop it, stop it' footage — benefited from the specific preparation that a second night provides: the lighting crew knew exactly what West wanted, the production team had adjusted the specific cues that caused the April 2 stops, and the performance consequently ran with significantly fewer interruptions.

For the specific difference in the second show: attendees and the specific concertgoers whose social media accounts have been covering both nights describe the April 3 performance as the version of the show that the lighting disruptions prevented the first night from being — a two-hour set that combined 'Bully' material with career-spanning hits in the specific sequence whose emotional arc was disrupted on April 2 by the specific technical friction.

For North West's second performance: Ye's daughter performed again on the second night — 'TALKING' with her father and her original song 'PIERCING ON MY HAND,' whose public reception across both nights has been the specific combination of genuine crowd appreciation for its craft and the particular response that celebrity children receive when they perform publicly for the first time.

For the 'Bully' album context: the album's specific release — through the new deal with Gamma, the Larry Jackson-headed multimedia company — and its live performance debut across these two shows represent the specific commercial and artistic moment that the performances mark. 'Bully' contains material that was reportedly partially leaked in unfinished form in late 2025 and that the album's commercial release has refined and completed.

For the comeback narrative's assessment: two sold-out nights at a 70,000-capacity venue for an artist whose public controversies have been as severe as West's represent a specific endorsement from the audience that celebrity media discourse doesn't always accurately predict. The specific people who bought tickets knew exactly who and what they were buying tickets for.